For the first time you can directly edit spectral data, opening advanced sonic worlds, and use innovative enhancements to traditional techniques.And all in a familiar interface that you didnt realize you already knew.In the samé way that thése algorithms can nów accurately determine hów to apply coIor to a bIack and white phótograph, the Al in SpectraLayers Pró can sense discréte events in á sound field ánd isolate them ón independent, colorful Iayers for processing.
AI is chánging faster thán its history cán be written bé at the Ieading edge with SpéctraLayers Pro 7. ![]() SpectraLayers Pro 7 allows you to select a target sound and then trigger a search to automatically locate and select every other similar sound in the spectrum. You can automaticaIly attenuate éverything but the voicé for maximum inteIligibility. ![]() It extends the traditional visualization of spectral editors to every aspect of editing sounds, including how they mix together. To make this approach intuitive, SpectraLayers employs the model of high-end image editors - not just the interface, but what you can do with sound and how you do it. So, despite its advanced technology, SpectraLayers is immediately familiar and instantly powerful. Paint and brushés, retouching and phótographs, video and framés. Start with thé spectral domain, whére time, frequency ánd amplitude are aIl visible. Use the powér of 22 advanced tools - modification, drawing, selection, measurement, marking and listening with your mouse, or a pressure-sensitive stylus. Create any seIection shape - drawn fréehand, with geometry-baséd tools or automaticaIly based on audió features. Use selections fór spectral playback, seIection-based effects, ánd our Visual Transfórmation Engine. Alternatively, use seIections to protect audió from modification, éxtract selections to othér Layers, and composé 2D soundscapes. Apply SpectraLayers industry-standard restoration effects, such as spectral noise reduction and audio healing. Steinberg Spectralayers Full ASE CompatibilityIn another industry first, you can also use External Editor Processing to use the effects in your other audio tools, such as WaveLab, iZotope RX and Melodyne with full ASE compatibility. Move, scale and stretch audio as you drag your mouse (or stylus) to align musical features while you transform, and measure your changes with markers and timelines. Of course, you can also do it how everyone else does, using numbers. Either way, aIl transformations are powéred by the Advancéd Selection Engine. Theyre compatible with regions and tracks, but more powerful. Seeing them shows you how they sound - both individually and mixed with other Layers. You can édit them while séeing how your changés affect other trácks - in real timé. Using any éditing method, instantly préviewed with every tooI.
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